Psychology: The Heart of Chess

Psychology: The Heart of Chess
10.12.2012
– Decision making is at the centre of psychology, neuroscience, economics and, of course, chess. "Listening" to the heart of chess players while they play, blunder, plan, calculate, win, lose – as in Edgar Allan Poe's "Tell-tale heart" – two Argentinian scientists show that our hearts may be more verbose than we think, revealing subtle aspects of our emotions, reasoning and thoughts.

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The Heart of Chess

By Maria Juliana Leone and Mariano Sigman

Decisions, decisions, decisions…

Deciding is committing to one out of several options. Under very specific circumstances,
this process relies on an exhaustive rational deliberation to determine which
of all options maximizes a given goal. Instead, the majority of human decisions
rely in heuristics, “fast and frugal” solutions fueled by hunches
“gut feelings” and intuitions.

One way or the other, approximate or exact, decisions rely on an evaluation
function, the goodness of the state resulting from each choice. A main challenge
in economy or psychology is how to set this function. When buying a car: how
should one weight its price, security, comfort, and aesthetics? It is thus difficult
to determine the correctness of a choice. Part of this can be solved by asking
people in retrospective about their own satisfaction and use this as a normative
measure of the quality of a decision.

In chess this conundrum is solved Salomonicaly: the quality of a decision
is set by the resulting evaluation function of the position. While there may
be some minor debate on this (different programs or players may disagree) this
dissonance is extremely small compared to evaluations of real-life decisions.
Hence as Garry Kasparov and many others have sometimes suggested, decision-making
in chess is a goldmine for understanding and improving our decision-making everywhere
else (Kasparov, 2007). In Kasparov words: “… it is due to its limited scope
that chess provides such a versatile model for decision-making. There are strict
standards of success and failure in chess. If your decisions are faulty your
position deteriorates and the pendulum swings towards a loss; if they are good
it swings towards a victory. Every single move reflects a decision and, with
enough time, it can be analyzed to scientific perfection whether or not each
decision was the most effective”
(Kasparov, 2007).

Chess, the natural laboratory of human thought

Chess is a formidable vehicle to study human decision because it mimics life
on a simplified terrain. Just to summarize:

  • Chess develops in a finite environment (board with 64 and 32 pieces, a
    clock) allowing a virtually indefinite amount of states (positions) and
    decision patterns.

  • Players make decisions on a finite time-budget (thus ideal to study speed-accuracy
    trade-offs).

  • Every decision (move) can be accurately evaluated contrary to real-life
    where the outcome of a decision is ambiguous.

  • In life there are good decision makers and bad-decision makers, but those
    are difficult to tell apart. In chess it’s simple. Elo (or online ratings)
    constitute a formidable estimator of the quality of the decision maker.

  • As beautifully described by Adrian de Groot in his seminal book (de Groot,
    1965), players recognize specific events of their inner thinking during
    the game (like planning, calculation, and error moments), which explains
    why chess has been a goldmine for studies of introspection, our ability
    to inquire about our own thoughts.

  • Chess is played in a social setup, promoting friendship, rivalry, all sorts
    of social emotions which also occur in life.

  Chess advantages as a decision making model

The tell-tale heart

We recently inquired whether, as in Edgar’s
Allan Poe’s short story
our hearts might be more verbose than we think,
and it only takes to listen to it to understand our reasoning and our thoughts.
There is one aspect which is perhaps unsurprising – the outcome of a decision
will be revealed in the speed at which our heart beats. Who wouldn’t imagine
its heart beating hard after a blunder or in a tense moment of the battle? The
other side of this story is more interesting. Can the state of our heart tell
us whether we will decide well or wrong? Can the rate of the heart of the player
speak about his process of thought, whether he is calculating, planning, or
going through a moment of inspiration? We showed that, indeed, the heart can
tell much about what has happened, what’s happening and what will happen in
our minds. This is more of substantial evidence that decisions rely on intuitions,
heuristics which relate to body markers (Damasio, 1994) and gut feelings.

Extracts of heart activity of a subject playing 1 min chess. Heart rate
(the inverse of time between heart beats) increases during the game, compared
with periods before and after the game.

  • Listen the heart of a chess player
    for a few seconds before, during and after the game.

We recorded the heart beats of chess players (Elo rating 2021-2216 ) while
playing 15 minute games, chosen as a compromise to generate move durations which
are fast enough to investigate transitions in heart rate but also sufficiently
slow to allow a player to retrospectively recall relevant moments perceived
and experimented during the game.

Experimental setup. We record heart activity and other physiological
variables in a game of chess. Hear rate can then be analyzed relative to specific
moves, moments of the games, score of the position, blunders…

After each game, players record retrospectively relevant moments of the game.
We asked how heart-rate changes when a player blunders, when the opponent blunders,
when a player is planning, under time pressure, in a won position… In other
words, we sought to inquire whether the heart is a good dictionary to convey
the different states of the game.

Specifically, our aim was to investigate which aspects of heart rate index
objective variables (the quality of a move, determined by the change in the
objective evaluation of the position) and subjective reports such as the conception
of a plan or a moment of calculus, reported by the player in an after game recollection
of its inner thought.

Game variables. A “moment” of the game  is defined by the position value
and the available times of both players. The player made a move, which has subjective
(feeling of thought) and objective (result of the evaluation function)

As most players would guess, heart rate increases as the game advances. Above
and beyond this global trend, is heart rate modulated by relevant episodes of
the game? From the practical point of view of players, and maybe of all decision
makers is “What goes on when we make a mistake?”, “Why is it that we blundered?”
and “Does our heart have anything to do with this?”

We analyzed the dynamics of heart rate before or after a blunder (recorded
player or opponent). We considered a blunder as a move which decreased the evaluation
function in more than one point. As we all know, the blunders are all there
on the board, waiting to be made
(Savielly Tartakower).

Chess player’s hearts beat faster when the opponent makes a blunder. We may
hide it, remain with a completely inexpressive face, but emotions flow and the
heart testifies this. This is after all, not surprising.

Player heart rate reacts to opponent blunders. When we plot the player
heart rate (HR) fluctuations around blunder or correct opponent moves, we find
a different pattern: HR increases after a blunder move, reacting to the opponent
error.                                                                

The most interesting aspect is the analysis of a player’s blunders compared
to correct moves. Here, instead, it is an early deep in heart rate frequency
which is absent in blunders. In fact, heart rate frequency a few seconds before
the decision is a good classifier (an index, a signature) to tell whether the
player will in fact make a mistake. Of course all the complex mechanisms and
brain-body interactions are not revealed by this analysis. But robustly, this
complex machinery expresses itself in heart rate which acts as a lighthouse
of the decision process.

Heart rate on player own moves: blunders versus correct moves. Heart
rate (HR) fluctuations locked to the move (time=0 s) are different between blunder
and correct player moves. Before the move, HR decreases on correct (no blunder)
moves compared to the blunder’s ones.

What about the mechanisms of the decision? Can the heart inform us on whether
a move (a decision) resulted from a “Misha Tal-intuitive” sacrifices (heuristic,
unconscious hunch, “In my games I have sometimes found a combination intuitively
simply feeling that it must be there. Yet I was not able to translate my thought
processes into normal human language
”) or, instead, a fully calculated line
(reducing to its minimal value the role of chance) of Lyova Polugaievsky. What
thoughts drove my opponent to make this move? Is he gambling or calculating?
Does he have a plan?

The elements of thoughts are rather opaque, not only to our opponent but often
to us. Again, we aimed to show, that looking at our own (or opponent) hearts
may inform more than we have guessed. And, in fact, this is how it came out.
Heart rate increased when a player was calculating or engaged in strategic thinking. 
Hear the voice of the heart reaches its limits, the signal was insufficient
to tell apart one from the other.

Planning and calculation moves are characterized by heart rate increases
before the move.
These types of moves showed a similar pattern on heart
rate (HR): HR increases before the move. Why? One possibility is that the load
of rational thought induces transient increases of HR, which has been previously
described in other models. Alternatively, it is possible that somatic changes
do not only assist choice in overt actions but also signal internal episodes
of a mental program.

The last three figures were originally published in Leone, M. J., Petroni,
A., Fernandez Slezak, D., Sigman, M. (2012). The tell-tale heart: heart
rate fluctuations index objective and subjective events during a game of chess.
Front Hum Neurosci, 6, 273. doi: 10.3389/fnhum.2012.00273.

Epilogue

Even if HR constitutes a relatively broad marker integrating a myriad of physiological
variables, its dynamic was rich enough to reveal relevant episodes of inner
thought. Listening to player’s hearts we could show that the heart rate signal
carries information capable of indexing these episodes: increasing before player
own blunders, planning and calculation moves, and reacting to opponent errors. Hence,
in the heat of the battle if you want to know more about your reasoning than
what we access by the minute window of introspection you may want to feel your
heart. As Blaise Pascal reminds us “Le cœur a ses raisons que la raison ne
connaît point.
”; the heart has reasons that reason cannot know..

Links

  • Leone, M. J., Petroni, A., Fernandez Slezak, D., Sigman, M. (2012).
    The tell-tale heart: heart rate fluctuations index objective and subjective
    events during a game of chess
    . Front Hum Neurosci, 6, 273. doi: 10.3389/fnhum.2012.00273
    [Original
    paper in pdf
    ]
  • Project website
  • LNI website

 

Citations

  • Damasio, A. R. (1994). Descartes' Error: Emotion, Reason, and the Human
    Brain
    . New York: Grosset/Putnam.
  • de Groot, A. (1965). Thought and Choice in Chess. Mounton, The Hague.
  • Kasparov, G. (2007). How Life Imitates Chess: Making the Right Moves,
    from the Board to the Boardroom.
    New York: Bloomsbury USA.

About the authors

 

María Juliana Leone was born in Argentina. She got
a major in Biotechnology and a PhD in Basic and Applied Sciences, working in
Chronobiology at University of Quilmes. Since 2004 she has been teaching Biochemistry
in this University. Before starting her degree studies, she played chess in
national and international tournaments, obtaining the Woman International Master
title in 1999. Before graduating, she worked for a year and a half in the Club
Argentino de Ajedrez, where Alekhine beat Capablanca in 1927. After her PhD,
she was able to connect her old love (chess) with her work in the Integrative
Neuroscience Laboratory, where she currently is doing a postdoc on physiological
correlates of decision-making, using chess as a model.

Mariano Sigman was born in Argentina, grew up in Barcelona
and came back to Buenos Aires, where he got a major in physics. He moved to
New York to do a PhD in neuroscience, focusing on visual perception, on the
physiology and psychophysics of perceptual learning. He then moved to Paris,
to investigate decision making, consciousness and cognitive architecture. In
2006 he came back (again) to Argentina, as a professor in the Physics Department,
where he currently is the director of the Integrative Neuroscience Laboratory.
He has very broad interests in cognition including consciousness metacognition
and introspection, cognitive development, language and conceptual networks,
problem solving, educational neuroscience. He has been awarded the Human Frontiers
Science Program and the James S McDonnell Foundation career development awards.
He has an extensive career on science popularization, has written hundreds of
articles, books, hosts a radio show and participated in several television shows.
He is a chess aficionado, a compulsive reader of chess psychology and, unfortunately,
a very bad player. He tweets at @mariuchu. Mariano conducted an
interview for ChessBase
back in 2003.

Copyright
Maria Juliana Leone and Mariano Sigman/ChessBase

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